Testimonials
Testimonial / James Smith
There is something very comforting knowing that one’s 5×4 colour negs are digitised to their absolute full potential, (whether that full potential sees the light of day is another story!) but this process from Film to 16 BIT should be taken as seriously as... read moreTestimonial / Tony Gaskins
Professional Drum Scanning did an excellent job scanning my 5×4 transparencies. The returned digital files are top quality, with accurate colours, properly exposed and superbly sharpened that will give me options for significant enlargements of the files if... read moreTestimonial / Paul Francis Bryan
I’ve recently begun archiving negatives from a whole host of years in photography when my most recent scanning service stopped trading. I’d been searching for a replacement drum scanning service for the past year when I found these guys. During my research I came... read moreTestimonial / Professor Calum Colvin OBE RSA FRSE
My work is a combination of painting, sculpture and photography, a form of ‘constructed photography’: assembled tableaux of objects, which are then painted and photographed.
read moreTestimonial / Keiran Perry
It is an absolute pleasure working with Tim and Charlotte. They go far beyond a typical photographer-lab relationship, offering a breath of fresh air with their kindness, attention to detail, and personable nature. They devote the necessary time to ensure each project... read moreTestimonial / Philip Newsome
I have been photographing motorsport since the early 1980s primarily using 35mm slide film as well as 120 roll film using a rather cumbersome Pentax 67. When I decided to create a book of my photography it was inevitable that many of my images would come from this... read moreTestimonial / David Keyes
Just upstream from Stockghyll force near Ambleside are a series of falls, including this one. One rainy day I took a Linhof Technika with a Grandagon and some Portra 400 in a 6×9 roll film back, also brought along a Leica M240 with a Summilux. Getting the film... read moreTestimonial / Morgan Sendall
The Grand Tour illustrations In 1987 I produced a series of seven panoramic illustrations for Thames Television’s historical drama documentary ‘The Grand Tour’. The original panoramas were shot as a series of pans on a rostrum camera using 16mm film. The original... read moreTestimonial / Andrew Farr
All photographers who use slide film yearn for that Velvia on the light box look, drum scans get close to it. If I could afford it, I would have the last 8 years of work rescanned by Tim.
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